I should go to bed but like
I don’t think I will… honestly…
I should go to bed but like
I don’t think I will… honestly…
The Workaholic Pedestal
We freelancers have a tendency to never truly be away from our work, regardless of the time or day of the week. Especially if like me, your work station is in your home. We work long hours and dedicate ourselves fully to whatever project we have at hand. We loose sleep, skip social gatherings, eat whatever is quick and easy so we can get back to work. I have noticed that there is a sense of pride in general among freelancers that we are so in love with our work that we can dedicate ourselves this way. Passion for your chosen profession is definitely a plus!
However, I have also observed a downside to this part of freelancing. That dedication can cross the line into an unhealthy workaholic lifestyle, and other freelancers actually encourage it. There is an underlying unspoken rule in freelancer culture that if you’re not working, you’re slacking. I’ve seen other freelancers take subtle stabs at their peers for taking time off to see family, to tend to daily life, or to just have a day (or three) to simply BREATHE and do something other than art. Doing things like comparing your work load with others’ work load, making yourself out to be the harder working one. Referring to things like showering, cooking, and cleaning as “free time” or “vacation”. It creates or adds to guilt surrounding work, which is really not a nice thing to do to your friends and peers.
The disclaimer here is that clearly not every freelancer does this, and I think those that do are not being purposefully malicious, so please don’t misread this as an attack. I’m guilty of playing into this myself, we are just falling into a part of the starving artist stereotype; The idea that your chosen craft/art must encompass ALL of your being, every day and every moment for you to truly be passionate about it.
The truth is, there IS life outside of art and work, and it’s not a contest. We are living beings that must eat and sleep, and we are social animals that must have a connection with others. So not only do we HAVE to do things other than art, but it’s also ok to spend time doing other things that make you happy. It doesn’t mean you are less passionate about your work, or that other artists who spend more time on theirs love it more.
And yes, there are deadlines we must work under. But none of us want to be starving artists. None of us enjoy loosing sleep, eating crappy or skipping meals, working our fingers to the bone, letting friendships fall apart… These are not good things. You aren’t a cooler or more a passionate artist for making those sacrifices. So I think instead of putting that lifestyle on a pedestal, we should be encouraging one another to take time to care for ourselves, and to have a life outside of their work. Just like anyone else doing any other kind of work. =)
YES. Thank you. It makes me really uncomfortable when I hear professionals saying things like “if you are not drawing 24/7 you’ll never make it”, implying that having outside interests or taking care of yourself means you will fail. You undoubtedly need to be dedicated and focused to succeed as a freelancer, but what is the point of having the so-called freedom that freelancing is supposed to provide you if you can’t even leave your desk every once in a while? Exercise, get outside, socialize, have other hobbies. I’ve found I’m more productive and happier and healthier and more passionate about my work and my career when I take time off, every day, to get away from work for a little while. Building a career is important and rewarding, but your life is not comprised solely of the amount of work you are able do. Your life is not defined solely by how many hours you clock at your work desk.
* Panel issues recommendations after review of U.S. record
* Says killing of Michael Brown “not an isolated event”
* Decries racial bias of police, pervasive discrimination
* ACLU calls for addressing racial inequality in America
GENEVA, Aug 29 (Reuters) - The U.N. racism watchdog urged the United States on Friday to halt the excessive use of force by police after the fatal shooting of an unarmed black teenager by a white policeman touched off riots in Ferguson, Missouri.
Minorities, particularly African Americans, are victims of disparities, the U.N. Committee on the Elimination of Racial Discrimination (CERD) said after examining the U.S. record.
"Racial and ethnic discrimination remains a serious and persistent problem in all areas of life from de facto school segregation, access to health care and housing," Noureddine Amir, CERD committee vice chairman, told a news briefing.
Teenager Michael Brown was shot dead by a white police officer on Aug. 9, triggering violent protests that rocked Ferguson - a St. Louis suburb - and shone a global spotlight on the state of race relations in America.
"The excessive use of force by law enforcement officials against racial and ethnic minorities is an ongoing issue of concern and particularly in light of the shooting of Michael Brown," said Amir, an expert from Algeria.
"This is not an isolated event and illustrates a bigger problem in the United States, such as racial bias among law enforcement officials, the lack of proper implementation of rules and regulations governing the use of force, and the inadequacy of training of law enforcement officials."
The panel of 18 independent experts grilled a senior U.S. delegation on Aug. 13 about what they said was persistent racial discrimination against African-Americans and other minorities, including within the criminal justice system.
U.S. Ambassador Keith Harper told the panel that his nation had made “great strides toward eliminating racial discrimination” but conceded that “we have much left to do”.
Ferguson Police Officer Darren Wilson, who shot Brown, has been put on paid leave and is in hiding. A St. Louis County grand jury has begun hearing evidence and the U.S. Justice Department has opened its own investigation.
Police have said Brown struggled with Wilson when shot. But some witnesses say Brown held up his hands and was surrendering when he was shot multiple times in the head and chest.
"STAND YOUR GROUND" LAWS
In its conclusions issued on Friday, the U.N. panel said “Stand Your Ground” Laws, a controversial self-defense statute in 22 U.S. states, should be reviewed to “remove far-reaching immunity and ensure strict adherence to principles of necessity and proportionality when deadly force is used for self-defense”.
Ron Davis, father of Jordan Davis, a 17-year-old shot dead in a car in Jacksonville, Florida during an argument over loud rap music in November 2012, attended the Geneva session. Sybrina Fulton, mother of Trayvon Martin, an unarmed black teen killed in Miami, Florida by a neighborhood watch volunteer, testified.
The U.N. panel monitors compliance with a treaty ratified by 177 countries including the United States.
"The Committee remains concerned at the practice of racial profiling of racial or ethnic minorities by law enforcement officials, including the Federal Bureau of Investigation (FBI), Transportation Security Administration, border enforcement officials and local police," it said, urging investigations.
The experts called for addressing obstacles faced by minorities and indigenous peoples to exercise their right to vote effectively. This was due to restrictive voter identification laws, district gerrymandering and state-level laws that disenfranchise people convicted of felonies, it said.
Jamil Dakwar of the American Civil Liberties Union (ACLU) said the U.N. recommendations highlighted “shortcomings on racial equality that we are seeing play out today on our streets, at our borders and in the voting booth.
"When it comes to human rights, the United States must practice at home what it preaches abroad," he said.
THIS IS GOOD.
THIS IS REAL GOOD.
Wearable technology has been around since performance artist Atsuko Tanaka’s 1956 Electric Dress, pictured here in considerably less than all its glory due to the black-and-white nature of the photography.
The bumbling history of wearable tech features a series of failures (Even I don’t use its one success, the wristwatch). Track that failure to your heart’s content with a new tech-fashion history book, Garments of Paradise: Wearable Discourse in the Digital Age.
JonTron just linked this image as an example of how men are stereotyped and exploited in video games I’m literally laughing out loud holy shit
for anyone who still doesn’t get it notice the background please
Fun fact: topless slave girls are COLLECTIBLES in this game.
See, the problem is that the guys objectification is empowering. You’re empowered because you’re taking advantage of the other objectified people.
Also, can my followers who like guys please comment on whether or not they find this guy sexually attractive?
nah, too much muscle. Muscle is hard… I want something soft to rest my head on! :P the only guy that i’ve ever been attracted to who has looked like this is Jason Momoa.
I personally like muscles. I adore them. They fascinate me.
But this Conan doesn’t look sexually attractive. He looks like he’s gonna kill me - he’s intimidating and forceful. I’d better stay away from him.
If he looked like this
I’d say “Well, hello sexy.”
Objectification and sexualization don’t really depend on character’s looks, even if they use it to objectificate and sexualize. They depend on character’s purpose and agency.
A girl character can run around with her titties exposed but still could be not sexualized.
Just my 2 cents
ALL OF THIS.
Okay so i got a few notes on how i go about Environments/Landscapes…so i’ll share a method thats easy to work with….bare with me its been a little while since ive drawn them Lol
First thing you want to start of with in your gradient background…use what ever is your preference. Depends on the setting, ima do some type of desert/dusty place.
You’ll learn that the Lasso tool is gonna be your bae when it comes to environments…that and its pretty useful. Now your going to be working in three tones, 1.Dark 2.Mid 3.Light and it will always be the darkest at the front fading to light towards the back…make sense? So you will have three layers for each one to make your life easier and Lock those layers so you will only color within that area. Make sure the dark layer is on top.
Here is where the fun kicks in…we add our dets, try to stay with each tone and dont end up making it all muddy so you cant distinguish each one. Now you can go about this any way you please, you can paint it all in with one brush ( for some reason people get anal about shit like that, thinking there great for using one brush…i think if you got tools use em if you know how to do it right.) Or you can use custom brushes…since this is a tut ill mostly use custom brushes to slap stuff around. Its up to you really, also use the lasso tool like i said its your bae.
The lasso can help define things better for you, so i wanted to add a structure type on the third layer. If you want to give an effect that the selection ive made is in front of the background right click your selection and invert it, add some lighting around the edges…only a little though you dont want to over do it.
Also if you’ve done something on a layer you dont want to mess up or paint on what you can do is create a clipping mask on that layer. Its kinda like locking the layer to that one so you dont go outside of the layer or ruin what you worked on. Make a new layer above the one you wish to attach it to and right click the newlayer, a menu will pop up, your looking for clipping mask. Once you clicked it the layer should look like what ive circled.
Once your done working on each layer we are gonna put in some mist effect, this is something that helps separate each section. So make a new layer between each of your three as shown in the image. Like i said you can use what ever method you like, i just use a soft brush or cloud/mist brush to get what i want.
Now we are going to add some definition to the image a good one to use is Curves. You can find this where your layer menu is, at the bottom you’ll find it, ive circled what your looking for. On the third image is what will appear when you click curves, all you need to do is drag the little square and you’ll see some magic happen. So adjust it to your preference. If you want you can also mess with brightness/contrast too. ALSO i would recommend adding a person in the image, it gives you an idea of the scale your environment is.
I was going to end it there but hey, ill show one last thing…its pretty simple. and that is some water reflection, we are going to turn the middle into water instead cause its a little boring right now. I merged all layers but the first one, you then want to make a selection and copy/paste. Free transform in the shortcut is ctrl T and do a vertical flip on it then adjust so its mirroring the top.
Now make a clipping mask like i explained earlier on the reflected surface and use the radiant tool…i think its called that lol it gives it more of a water surface like you see. For the image below it i used a custom brush which creates a water effect, aaaaaaaaaand bam you got you water now covering the area…easy huh.
And so this concludes the Tutorial and you have the end result. Hopefully that gave some tips on how to approach landscapes…they can be confusing sometimes on where to start. Enjoy and let me know if it was useful or not :P
It bothered me that there were no Squibs allowed in Hogwarts. Fine, I can get that Squibs would not be able to do any wand magic, and would not be able to fly a broomstick. They still apparently possess enough innate magic to see the school and other magically hidden locations. Out of the classes at Hogwarts that the kids take, a Squib could take and benefit from the following classes: History of Magic, Astronomy, Divination, Care of Magical Creatures, Herbology, MUGGLE STUDIES, Potions (there will be little foolish wand-waving here), Arithmancy, Ancient Runes, and partially theoretical classes on Defense Against the Dark Arts and Charms.
That’s a long list of classes. And some of them are particularly upsetting to me because there’s stuff like History of Magic being left out- that’s their own history they’re being barred from learning. Since Squibs are often forced into the Muggle world, a Squib would make an ideal Muggle Studies teacher and would no doubt be able to teach a more realistic and informative class than someone going off of biased wizarding texts. Squib kids looking into living in the Muggle world would absolutely benefit from learning Muggle studies, especially if they’re from a mainly pureblood family who doesn’t venture out all too often.
And then there’s the rest of them! Arguably you could have a Squib gifted with prescience, and Divination is supposed to be a very accessible branch of magic. Squibs being excellent at taking care of magical plants and animals and making groundbreaking advancements, Squibs working in tandem with each other to breed different magical herbs for potions, Squib potion masters creating all sorts of amazing concoctions. Squibs working with muggleborns and using logic and science to advance magic theoretically, Squibs being huge pro-muggleborn/pro-muggle advocates, Squibs making star charts and Squibs going into the muggle world to use their healing potions in their jobs as nurses and doctors.
Squibs being so completely shut out of magical education was such a sore point for me in the books, especially viewing the treatment of our only prominent Squib- an angry, bitter, glorified janitor often at the mercy of brats with wands. I’m not justifying or endorsing his abusiveness at all, but this was an awful character to use to explore people without magic in a society that bases your worth on it. A lot of time Rowling seems to validate Wizarding prejudices more than she challenges them. While I really enjoy reading the headcanons about Hogwarts being very accessible to people with disabilities, I can’t bring myself to see that as the case with Squibs being treated as they are.
I think your botanical illustrations are some of my favorites of your work… So pretty…
Haha thank you
In fairness I spend like… hours on a single piece so I mean, effort-wise it’s some of my most intensive work and even the pieces I don’t necessarily like I still like… can feel good about art-wise and stuff I dunno.
I don’t know what I’m trying to say hahaha YEAH BOTANICAL ART I wish I did more of it but it takes a lot of time and I spread myself pretty thin honestly I don’t know why
When you are 13 years old,
the heat will be turned up too high
and the stars will not be in your favor.
You will hide behind a bookcase
with your family and everything left behind.
You will pour an ocean into a diary.
When they find you, you will be nothing
but a spark above a burning bush,
still, tell them
Despite everything, I really believe people are good at heart.
When you are 14,
a voice will call you to greatness.
When the doubters call you crazy, do not listen.
They don’t know the sound
of their own God’s whisper. Use your armor,
use your sword, use your two good hands.
Do not let their doubting
drown out the sound of your own heartbeat.
You are the Maid of Untamed Patriotism.
Born to lead armies into victory and unite a nation
like a broken heart.
When you are 15, you will be punished
for learning too proudly. A man
will climb onto your school bus and insist
your sisters name you enemy.
When you do not hide,
he will point his gun at your temple
and fire three times. Three years later,
in an ocean of words, with no apologies,
you will stand before the leaders of the world
and tell them your country is burning.
When you are 16 years old,
you will invent science fiction.
The story of a man named Frankenstein
and his creation. Soon after you will learn
that little girls with big ideas are more terrifying
than monsters, but don’t worry.
You will be remembered long after
they have put down their torches.
When you are 17 years old,
you will strike out Babe Ruth and Lou Gehrig
one right after the other.
Men will be afraid of the lightening
in your fingertips. A few days later
you will be fired from the major leagues
because “Girls are too delicate to play baseball”
You will turn 18 with a baby on your back
leading Lewis and Clark
across North America.
You will turn 18
and become queen of the Nile.
You will turn 18
and bring justice to journalism.
You are now 18, standing on the precipice,
trembling before your own greatness.
This is your call to leap.
There will always being those
who say you are too young and delicate
to make anything happen for yourself.
They don’t see the part of you that smolders.
Don’t let their doubting drown out the sound
of your own heartbeat.
You are the first drop of a hurricane.
Your bravery builds beyond you. You are needed
by all the little girls still living in secret,
writing oceans made of monsters and
throwing like lightening.
You don’t need to grow up to find greatness.
You are stronger than the world has ever believed you to be.
The world laid out before you to set on fire.
All you have to do