accioguitardis:

cyberunfamous:

trillow:

how much do islands cost i want one

Less than a college education

image

what the fuck

Reblogged from bolto
14
Apr

kaijubros:

Kaiju Bros, behind the scenes

Reblogged from plesiosaurbones
14
Apr

fucktonofanatomyreferencesreborn:

A superb fuck-ton of skin-tone references.

From the project “Humanae.”

Reblogged from strayakuma
14
Apr

bluedelliquanti:

vispreeve:

Ellen Page & Laverne Cox | GLAAD Media Awards 2014

Ellen Page is a tiny gumshoe detective working to expose a ring of corrupt politicians! Laverne Cox is the charismatic club hostess who gives her the inside scoop on all of her cases! Can they put aside their torrid romantic past to secure a statuette full of top-secret microfilm?

Coming this Christmas: TINY DETECTIVE.

Reblogged from bluedelliquanti
14
Apr

whenyouwishupondisney:

annaoflovelyarendelle:

anna-loves-kristoff:

ahahhaha so perfect

YES YES YES YES

Yes to all!

Reblogged from bolto
14
Apr
geardrops:

scribbleowl:

jesuotaku:

rivirambles:

amischiefofmice:

PRAISE BE

Wendy’s is doing the same thing.
Will wonders never cease.

Reblogging this because it keeps showing up on my dash and I keep not-quite raining on the parade, but it seems like everyone thinks this means something different than it does, so I guess I’ll rain on it a little bit.I’m afraid this motion has nothing to do with conquering the gender binary or whatever Tumblr is really happy about to be reblogging it so heavily. It’s not about making little children feel like they can get whichever toy they prefer. It’d be nice if it was, but I’d be shocked if that was the case.No, the girl toy here is a My Little Pony. Which means that the *real* reason for this notice is that a bunch of bronies, as there are bajillions of photos and videos of them doing, are coming into fast food restaurants and buying several happy meals. They threw pissy fits when asked if they wanted the “boy or girl” toy, insisting that My Little Pony isn’t for girls or whatever, again, only saying this because of overwhelming evidence that bronies do this shit. Management eventually has enough of it, asks employees to just ask if people want Skylanders or My Little Pony so they won’t have any more disgusted bronies getting mad that their precious fandom is targeted at crappy dumb little girls.
So the short version is: this little paper unfortunately means the exact opposite of what you think it means, socially speaking. It was put up because grown-ass men get all pissy when it’s suggested that they like a thing for girls.
Proof: http://www.equestriadaily.com/2014/04/editorial-how-to-buy-mcdonalds-ponies.html <— this was posted on the net’s biggest brony hive on April 10, 2014. So yeah, this is sadly not about anything else but how awful bronies are, sorry.

HAHAHAHAAAAAA. It’s nice to know I can’t get my rights respected, but a bunch of childish, entitled white cis men can! I’m so proud to live in this country with its progressive understanding of privilege and when to tell a bunch of whiny man-children to grow the fuck up and/or accept that they like a show meant for little girls (the horror, I know!).

I read the linked article and I don’t want that to be a real sincere thing.
Bronies are the literal worst.

geardrops:

scribbleowl:

jesuotaku:

rivirambles:

amischiefofmice:

PRAISE BE

Wendy’s is doing the same thing.

Will wonders never cease.

Reblogging this because it keeps showing up on my dash and I keep not-quite raining on the parade, but it seems like everyone thinks this means something different than it does, so I guess I’ll rain on it a little bit.

I’m afraid this motion has nothing to do with conquering the gender binary or whatever Tumblr is really happy about to be reblogging it so heavily. It’s not about making little children feel like they can get whichever toy they prefer. It’d be nice if it was, but I’d be shocked if that was the case.

No, the girl toy here is a My Little Pony. Which means that the *real* reason for this notice is that a bunch of bronies, as there are bajillions of photos and videos of them doing, are coming into fast food restaurants and buying several happy meals. They threw pissy fits when asked if they wanted the “boy or girl” toy, insisting that My Little Pony isn’t for girls or whatever, again, only saying this because of overwhelming evidence that bronies do this shit. Management eventually has enough of it, asks employees to just ask if people want Skylanders or My Little Pony so they won’t have any more disgusted bronies getting mad that their precious fandom is targeted at crappy dumb little girls.

So the short version is: this little paper unfortunately means the exact opposite of what you think it means, socially speaking. It was put up because grown-ass men get all pissy when it’s suggested that they like a thing for girls.

Proof: http://www.equestriadaily.com/2014/04/editorial-how-to-buy-mcdonalds-ponies.html <— this was posted on the net’s biggest brony hive on April 10, 2014. So yeah, this is sadly not about anything else but how awful bronies are, sorry.

HAHAHAHAAAAAA. It’s nice to know I can’t get my rights respected, but a bunch of childish, entitled white cis men can! I’m so proud to live in this country with its progressive understanding of privilege and when to tell a bunch of whiny man-children to grow the fuck up and/or accept that they like a show meant for little girls (the horror, I know!).

I read the linked article and I don’t want that to be a real sincere thing.

Bronies are the literal worst.

(Source: scarfetsu)

Reblogged from seananmcguire
14
Apr
demiadejuyigbe:

GROUND CONTROL TO MAJOR TOM

demiadejuyigbe:

GROUND CONTROL TO MAJOR TOM

Reblogged from demiadejuyigbe
14
Apr

(Source: peachybeam)

Reblogged from cyclopette
14
Apr
fucking fake geek girl poser bitch.
Asked by Anonymous

herbaljabbage:

Is it true? Could it be? Did I get an anonymous correspondance referring to my assertion that I both engage in amusing computer games  AND lack a Y chromosome?

Was someone so moved by the fact that I both use the pronouns “her” and “she,” AND spend some of my spare leisure time playing games that they felt compelled to write such a poetic and dynamic rebuttel as “fucking fake geek girl poser bitch.”

"fucking fake geek girl poser bitch." The wit! The flawless eloquence! Let those words echo down the ages! Let them go down in the annals of human history, for encased in those words is such a gem of wisdom that no one can deny them! I shall purge my hard drive of all games immediately. Should my resolve waver, I shall simply think of those immortal words, "fucking fake geek girl poser bitch," and my fragile womanly heart shall become granite in my chest. Compared to that single sentence, the entire works of Oscar Wilde seem trite and shallow. Decades from now, collections of maxims shall read as follows:

We are what we repeatedly do; excellence, then, is not an act but a habit.—Aristotle

The real voyage of discovery consists not in seeking new lands but seeing with new eyes.
—Marcel Proust

fucking fake geek girl poser bitch.
—Anon,

Yeah ok I’m bored now.

You’ve done it! You’ve hit the big time!

Reblogged from herbaljabbage
14
Apr

archiemcphee:

"She may not look like much, but she’s got it where it counts, kid."

Star Wars fan Bill Deacon transformed his 1974 Chevy Malibu into a street-legal replica of the Millennium Falcon. The road vehicle-turned-spacecraft features all sorts of great details, including HANCHWY vanity plates and a field of streaking stars around the ship’s bow on the hood and front bumper. But our favorite feature is the cockpit mounted in place of the right starboard side-view mirror that contains Han Solo and Chewbacca action figures.

[via Geekologie]

Reblogged from archiemcphee
14
Apr

nannaia:

Evolution of Chinese Clothing and Cheongsam

Chinese clothing has approximately 5,000 years of history behind it, but regrettably I am only able to cover 2,500 years in this fashion timeline. I began with the Han dynasty as the term <i>hanfu</i> (Chinese clothing) was coined in that period. Please bear in mind that this is only a generalized timeline of Chinese clothing primarily featuring aristocratic and upper-class ethnic Han Chinese women (the exceptions are Fig. 8 (dancer) and Fig. 11 (maid, due to the fact I couldn’t find many paintings in this period)).

My resources are mainly the books: 5,000 years of Chinese Costume, China Chic: East Meets West, and Changing Clothes in China: Fashion, History, Nation. 5,000 years of Chinese Costume is an invaluable resource (though sadly currently out of print), I would highly recommend this book if you can get your hands on it.

 

Han Dynasty:

“In the Han Dynasty, as of old, the one-piece garment remained the formal dress for women. However, it was somewhat different from that of the Warring States Period, in that it had an increased number of curves in the front and broadened lower hems. Close-fitting at the waist, it was always tied with a silk girdle.” (5,000 years of Chinese Costume, pg. 32)

 

Wei and Jin dynasties:

“On the whole, the costumes of the Wei and Jin period still followed the patterns of Qin and Han.” (5,000 years of Chinese Costume, pg. 54)

“From the costumes worn by the benefactors in the Dunhuang murals and the costumes of the pottery figurines unearthed in Louyang, it can be seen that women’s costumes in the period of Wei and Jin were generally large and loose. The upper garment opened at the front and was tied at the waist. The sleeves were broad and fringed at the cuffs with decorative borders of a different colour. The skirt had spaced coloured stripes and was tied with a white silk band at the waist. There was also an apron between the upper garment and skirt for the purpose of fastening the waist. Apart from wearing a multi-coloured skirt, women also wore other kinds such as the crimson gauze-covered skirt, the red-blue striped gauze double skirt, and the barrel-shaped red gauze skirt. Many of these styles are mentioned in  historical records.” (5,000 years of Chinese Costume, pg. 65)

 

Southern and Northern Dynasties:

“During the Wei, Jin and the Southern and Northern Dynasties, though men no longer wore the traditional one-piece garment, some women continued to do so. However, the style was quite different from that seen in the Han Dynasty. Typically the women’s dress was decorated with xian and shao. The latter refers to pieces of silk cloth sewn onto the lower hem of the dress, which were wide at the top and narrow at the bottom, so that triangles were formed overlapping each other. Xian refers to some relatively long ribbons which extended from the short-cut skirt. While the wearer was walking, these lengthy ribbons made the sharp corners n the lower hem wave like a flying swallow, hence the Chinese phrase ‘beautiful ribbons and flying swallowtail’.” (5,000 years of Chinese Costume, pg. 62)

“During the Southern and Northern Dynasties, costumes underwent further changes in style. The long flying ribbons were no longer seen and the swallowtailed corners became enlarged. As a result the flying ribbons and swallowtailed corners were combined into one.” (5,000 years of Chinese Costume, pg. 62)

 

 

Sui Dynasty:

“During the period of the Sui and early Tang, a short jacket with tight sleeves was worn in conjunction with a tight long skirt whose waist was fastened almost to the armpits with a silk ribbon. In the ensuing century, the style of this costume remained basically the same, except for some minor changes such as letting out the jacket and/or its sleeves.” (5,000 years of Chinese Costume, pg. 88)

 

Tang Dynasty:

“The Tang Dynasty was the most prosperous period in China’s feudal society. Changan (now Xian, Shananxi Province), the capital, was the political, economic and cultural centre of the nation. […] Residents in Changan included people of such nationalities as Huihe (Uygur,) Tubo (Tibetan), and Nanzhao (Yi), and even Japanese, Xinluo (Korean), Persian and Arabian. Meanwhile, people frequently travelled to and fro between countries like Vietnam, India and the East Roman Empire and Changan, thus spreading Chinese culture to other parts of the world.” (5,000 years of Chinese Costume, pg. 76)

“…all the national minorities and foreign envoys who thronged the streets of Changan also contributed something of their own culture to the Tang. Consequently, paintings, carvings, music and dances of the Tang absorbed something of foreign skills and styles. The Tang government adopted the policy of taking in every exotic form whether or hats or clothing, so that Tang costumes became increasingly picturesque and beautiful.” (5,000 years of Chinese Costume, pg. 88)

“Women of the Tang Dynasty paid particular attention to facial appearance, and the application of powder or even rouge was common practice. Some women’s foreheads were painted dark yellow and the dai (a kind of dark blue pigment) was used to paint their eyebrows into different shapes that were called dai mei (painted eyebrows) in general.” (5,000 years of Chinese Costume, pg. 89)

“In the years of Tianbao during Emperor Xuanzong’s reign, women used to wear men’s costumes. This was not only a fashion among commoners, but also for a time it spread to the imperial court and became customary for women of high birth.” (5,000 years of Chinese Costume, pg. 89)

 

Song Dynasty

“The hairstyle of the women of the Song Dynasty still followed the fashion of the later period of the Tang Dynasty, the high bun being the favoured style. Women’s buns were often more than a foot in height.” (5,000 years of Chinese Costume, pg. 107)

“Women’s upper garments consisted mainly of coat, blouse, loose-sleeved dress, over-dress, short-sleeved jacket and vest. The lower garment was mostly a skirt.” (5,000 years of Chinese Costume, pg. 107)

“Women in the Song Dynasty seldom wore boots, since binding the feet had become fashionable.” (5,000 years of Chinese Costume, pg. 107)

“Although historians do not know exactly how or why foot binding began, it was apparently initially associated with dancers at the imperial court and professional female entertainers in the capital. During the Song dynasty (960-1279) the practice spread from the palace and entertainment quarters into the homes of the elite. ‘By the thirteenth century, archeological evidence shows clearly that foot-binding was practiced among the daughters and wives of officials,’ reports Patricia Buckley Ebrey […] Over the course of the next few centuries foot binding became increasingly common among gentry families, and the practice eventually penetrated the mass of the Chinese people.” (Chinese Chic: East Meets West, pg. 37-38)

Yuan Dynasty:

“Han women continued to wear the jacket and skirt. However, the choice of darker shades and buttoning on the left showed Mongolian influence.” (5,000 years of Chinese Costume, pg. 131)

“After the Mongols settled down in the Central Plains, Mongolian customs and costumes also had their influence on those of the Han people. While remaining the main costume for Han women, the jacket and skirt had deviated greatly in style from those of the Tang and Song periods. Tight-fitting garments gave way to big, loose ones; and collar, sleeves and skirt became straight. In addition, lighter more serene colours gained preference.” (5,000 years of Chinese Costume, pg. 142)

 

Ming Dynasty:

“The clothing for women in the Ming Dynasty consisted mainly of gowns, coats, rosy capes, over-dresses with or without sleeves, and skirts. These styles were imitations of ones first seen in the Tang and Song Dynasties. However, the openings were on the right-hand side, according to the Han Dynasty convention.” ((5,000 years of Chinese Costume, pg. 147)

“The formal dress for commoners could only be made of coarse purple cloth, and no gold embroidery was allowed. Gowns could only in such light colours as purple, green and pink; and in no case should crimson, reddish blue or yellow be used. These regulations were observed for over a decade, and it was not until the 14th year of Hong Wu that minor changes were made.” (5,000 years of Chinese Costume, pg. 147)

 

Qing Dynasty

When China fell under Manchurian rule, Chinese men were forced to adopt Manchurian customs. As a sign of submission, the new government made a decree that men must shave their head and wear the Manchurian queue or lose their heads. Many choose the latter.

On the other hand, Chinese women were not pressured to adopt Manchurian clothing and fashions. “Women, in general, wore skirts as their lower garments, and red skirts were for women of position. At first, there were still the “phoenix-tail” skirt and the “moonlight” skirt and others from the Ming tradition. However the styles evolved with the passage of time: some skirts were adorned with ribbons that floated in the air when one walked; some had little bells fastened under them: others had their lower edge embroidered with wavy designs. As the dynasty drew to an end, the wearing of trousers became the fashion among commoner women. There were trousers with full crotches and over trousers, both made of silk embroidered with patters.” (5,000 years of Chinese Costume, pg. 173)

The Manchurians attempted several times to eradicate the practice of foot-binding, but were largely unsuccessful. Manchurian women admired the gait of bound women but were effectively banned from practicing food-binding. Hence, a “flower pot shoe” later came into creation and it allowed its wearer the same unsteady gait but without any need for foot-binding. 

 

 

Republic Era

Women traditionally bound their breasts in the Ming and Qing dynasties with tight fitting vests and continued to do so in the early 20th century.

“The vests were called xiaomajia ‘little vest’ or xiaoshan ‘little shirt” “used by Chinese women as underclothing for the upper part of the body.” (Changing Clothes in China: Fashion, History, Nation: Finnane pg 162) “Doudu [is] a sort of apron for the upper body […] in former times the doudu had been worn by everyone, old and young, male and female. The young wore red, the middle-aged wore white or grey-green, the elderly wore black. A little pocket sewn into the top was used by adults to secrete them money and by children their sweets. When a girl got engaged, she would show off her embroidery skills by sending an elaborately worked doudu to her fiancé, decorated with bats for good forturne and pomegranates, symbolizing many sons.” (Changing Clothes in China: Fashion, History, Nation: Finnane pg 162)

A ban on bound breasts began in 1927, in which the government started advocating for the “Natural Breast Movement”. Despite this, bound breasts still widely continued into the 1930s. The government also banned earrings as it fell under the criteria of deforming the natural body. The 1930s also saw the introduction of the western/French bra come to Shanghai.

“The little vest was designed to constrain the breasts and streamline the body. Such a garment was necessary to look comme il faut around 1908, when (as J. Dyer Ball observed): ‘fashion decreed that jackets should fit tight, though not yielding to the contours of the figure, except in the slightest degree, as such an exposure of the body would be considered immodest.’ It became necessary again in the mid-twenties, when the jacket-blouse—a garment cut on rounded lines – began to give way to the qipao. At this stage, darts were not used to tailor the bodice or upper part of the qipao, nor would they be till the mid-fifties. The most that could be done by way of further fitting the qipao to the bosom was to stretch the material at the right places through ironing. Under these circumstances, breast-binding must have made the tailor’s task easier.” (Finnane 163, Changing Clothes in China: Fashion, History, Nation)

Successful eradication of bound feet would not come until the 1949 when the People’s Republic of China came into power.

1950s-1960’s

Under the People’s Republic of China, very few mainland women wore the cheongsam, save for ceremonial attire. Clothing became de-sexualized for mainlanders.

It was the flip side in Hong Kong, as the cheongsam continued its function as everyday wear which lasted until the late 1960s. The cheongsam in the 1950s and 1960s became even tighter fitting to further accentuate feminine curves. Western clothing became the default after the late 1960s, though the cheongsam continued to survive as uniforms for students (who donned a looser and androgynous version), waitresses, brides, and beauty contestants.

21st century

Designers today are creating new forms of the qipao/cheongsam. The mermaid tail appears to be a current popular trend.

Reblogged from coggirl
14
Apr

doublefine:

Double Fine Presents is proud to introduce our second game, Sam Farmer’s Last Life, a beautiful noir adventure game that is live on Kickstarter right now! Check it out!

Reblogged from doublefine
14
Apr

Snark is often conflated with cynicism, which is a troublesome misreading. Snark may speak in cynical terms about a cynical world, but it is not cynicism itself. It is a theory of cynicism.

The practice of cynicism is smarm.

A long read, but very much worth it

14
Apr

crystalmontblanc:

Ethiopian Welo Opal New gem found looks like the ocean or space in rock.
Reblogged from opal-porn
14
Apr